In his 1963 speech, “The House Negro and the Field Negro” Malcolm X assigns blame to those in his time who show concern for a master class whom he believes, on sound reason, does not deserve it. Why not just care for yourself?

“We Sick” thinks backwards through this reasoning to the Word of all Adam's children, received through the power of Eve’s

In his 1963 speech, “The House Negro and the Field Negro” Malcolm X assigns blame to those in his time who show concern for a master class whom he believes, on sound reason, does not deserve it. Why not just care for yourself?

“We Sick” thinks backwards through this reasoning to the Word of all Adam's children, received through the power of Eve’s vulnerable questioning. We think that we are all–insofar as we serve anything beyond ourselves–both master and servant. We remember that we embody both power and vulnerability; we remember that we have been contaminated, sullied, corrupted, sinner-saints from the karmic jump. We point to this Malcolm in order to point away, since he would keep transforming before being deemed impure and dispatched back to paradise. We take responsibility for being bad at purity, which is to say we each vow: “I take responsibility for this life.” Like the choice to submit to vaccination, or sound.

The music of We Sick is surrender: lyricism as it moves from interior to exterior, moaning within the living space of a sanctuary. The sanctuary recorded here–a church 150 years old and rendered vacant by COVID–became an ensemble member through its acoustics and ambiance. We recorded together on December 28, 2020 weeks after police murdered George Floyd and several months into the coronavirus pandemic and quarantine. Across the street from our sanctuary, the National Guard surrounded the Minnesota State Capitol. Their heavily armed presence provided a tangible reminder of the old dharma that house is field, white is Black and that–without question–we sick.

The music made that day reflects the feelings of isolation from community, hunger for justice, and the weariness of the wait. We offer it to you as a humble confession and renewed covenant.

deVon Russell Gray, piano Nathan Hanson, saxophones Davu Seru, drums

All pieces spontaneously composed by deVon Russell Gray (BMI), Nathan Hanson (Hansonic Publishing, ASCAP) and Davu Seru (BMI). © and (p) 2023. All Rights Reserved.

Engineered by Caleb Anderson Mixed by Brett Bullion Mastered by Huntley Miller

Recorded at Christ Lutheran Church on Capitol Hill, St. Paul, MN on December, 28, 2020. Cover art: “We Sick” by Lara Hanson (larahanson.com) Layout by Jamie Breiwick, B-Side Graphics

Thank you to Christ Lutheran Church on Capitol Hill, August Seru, Emily Seru, Lara Hanson, Rafael Hanson, Janette Gray, Felicia Frelix, and Naimah Pétigny.

Davu Seru is an affiliate of the Association for the Advancement of Creative Musicians (AACM).

innova® is the label of the American Composers Forum. Director of Recordings: Chris Campbell Manager of Recordings: Tim Igel Innova is supported by an endowment from the McKnight Foundation.

deVon Russell Gray, piano Nathan Hanson, saxophones Davu Seru, drums

All pieces spontaneously composed by deVon Russell Gray (BMI), Nathan Hanson (Hansonic Publishing, ASCAP) and Davu Seru (BMI). © and (p) 2023. All Rights Reserved.

Engineered by Caleb Anderson Mixed by Brett Bullion Mastered by Huntley Miller

Recorded at Christ Lutheran Church on Capitol Hill, St. Paul, MN on December, 28, 2020. Cover art: “We Sick” by Lara Hanson (larahanson.com) Layout by Jamie Breiwick, B-Side Graphics